I'm Logan Pentecost. I cut video — and I run it live. From the edit bay to front-of-house: video switching, LED engineering, graphics, and camera op for tours, corporate shows, and festivals. Clients and crews from Red Bull and SXSW to the Hot Wheels Monster Trucks world tour.
Freelance & full-time · Flexible pricing · Fast turnaround
The other half of what I do: when the show is live, there's no second take. Years behind consoles at tours, corporate shows, festivals, and esports events — V1 switching, LED wall engineering, graphics, PTZ & camera ops.
Competition intro videos cut for the Glow Party world tour — screened in arenas from the US to Mexico City.
Behind the scenes of Red Bull Sound Clash: Gary Clark Jr vs Paul Wall. Stage setup through live performance.
Three-day esports competition recap for Greater Than LLC, used for promotion and recruiting.
Festival coverage in Austin — plus promo work for Everfest's group-camping partnership with Euphoria.
Official promo built from previous years' footage — ran on social media and H-Mart shopping center displays.
Campaign promo — concept development, shooting, and editing.
Scenes from the shows — festivals, arenas, esports floors, and the racks that run them.
I'm a versatile live event production tech and video editor based in Austin, Texas — with over 15 years of freelance filming, editing, and VFX work behind me.
On show sites, I switch video, engineer and program LED walls, direct lighting, shade cameras, and run graphics — everywhere from SXSW and Fantastic Fest to the Hot Wheels Monster Trucks Live world tour, the Halo Championship Finals, and Austin's FIFA World Cup 2026 celebration.
In the studio, I've cut for Red Bull, DreamHack, music festivals, food festivals, congressional campaigns, and local businesses — concept to final export, with motion graphics and VFX to match. And when the cameras are off, I'm usually in Blender or running the 3D print lab.
My pricing is flexible, and I'm available for freelance projects or full-time work. If you have a show that needs to run clean — or footage that needs a story — let's talk.
Logan ran hi-res media for the finals — Resolume cues landed frame-tight, and the desk content was always exactly where the broadcast needed it. The screens never missed.
We handed him a drive of raw festival footage and got back a recap that sold next year's tickets. He just gets what an event is supposed to feel like.
He built the wall, mapped it, and ran it all week — and when a panel acted up mid-show, the audience never knew. That's the whole job, done right.
Available for freelance and full-time work — edit bay or show site. Flexible pricing. Fast turnaround.
LoganPentecost@gmail.com